1974, Naples, Italy 
He lives and works in Los Angeles, USA

A complex and pragmatic artist, a multifaceted provocateur with a neo-Dada imprint, he has made his mark on the international scene with performance actions pushed to the edge of reality that point out the contradictions of contemporaneity with lucid irony.

site-specific | permanent artwork

Untitled (floor)

2024 
Metal platform, materials for unfinished Venetian terrazzo floor, and a construction worker

A versatile and provocative artist of a neo-Dadaist stamp,  he has gained recognition on the international stage  through performance pieces that push the boundaries of  reality, highlighting the contradictions of contemporary society with sharp irony. 

As often occurs in his practise, this work is an evolving  experience that unfolds in two phases, during which Golia shows us the reality of things as they happen,  employing art as a cathartic means to engage with the  real. While awaiting the realization of the permanent  project for Palazzo Diedo, a designed floor in the traditional Venetian terrazzo technique, Golia, who always refers to time and process, puts us in  front of the materials that will be used to build it, stacked  like a minimalist sculpture. Sitting above, almost like a Rodin’s Thinker, a construction worker with his presence  “activates” the work waiting to start building the floor. 

Courtesy of the artist.

_

Other Artworks by the Artist - LINK

1987, Tamale, Ghana 
He lives and works in Accra and Tamale, Ghana

site-specific | permanent artwork

Three Little Birds

2023
Relief mural, fiberglass

Ibrahim Mahama produces installations that delve  into themes of globalization, labor, and the movement  of goods, frequently developed in partnership with  Ghanaian communities. The works exhibited at Palazzo  Diedo focus on the themes of railways and trains, with a  particular emphasis on Ghana’s colonial past. 

Three Little Birds is a permanent work created by  Mahama in his community in Ghana at the Red Clay  Foundation, launched in 2019 by a group of artists and  curators to promote local economic, social, and cultural  development, with the goal of making the population  active and economically self-sufficient. The work is  inspired by the visual materials surrounding the artist’s  studio at Red Clay: people interacting with elements of  the railway line create creative platforms, which serve the artist to investigate the relationship between the body  and history.

-

Other artworks by the artist - LINK

Photos by Massimo Pistore and Matteo Catania- Hubove Studio

1967, Tokyo, Japan 
She lives and works between Japan and New

site-specific | permanent artwork

Great Light

2024
Printed fabric

Mariko Mori’s artistic career, which includes sculptures,  videos, photographs, installations, digital images, and  performances, is original and multifaceted. It features  references to both the pop imagery and religious  traditions of her native Japan, as well as elements of  Western culture, often achieving results with a strong  spiritual imprint that highlights the profound connections  among all human beings. 

From the digital images, photographs and installations  featuring her as a manga heroine, to her more recent,  purpose-driven projects aimed at raising awareness  of environmental issues and equality among peoples,  Mariko Mori’s work blends technology with the  rediscovery of humanity’s ancestral roots. 

The Great Light ceiling canvas was created especially for  Palazzo Diedo. 

Courtesy of the artist

Photos by Massimo Pistore

Photos by Massimo Pistore

1972, Bitburg, Germany
He lives and works in Los Angeles, US

site-specific | permanent artwork

Lantern (3)

2024
Sand casting of aluminum, glass, 70 x 120 cm

Sterling Ruby works with a wide range of media, including  ceramics, painting, drawing, collage, sculpture, video, and  textiles. His works, in contrast to the minimalist artistic  tradition and influenced by the ubiquity of urban graffiti,  often appear scratched, defaced, camouflaged, dirty, or  splattered.  

LANTERN by Sterling Ruby was expressly conceived  by the artist for the entrance of Palazzo Diedo. It is an  edition of hanging lamps that pays homage to those  that have illuminated the narrow streets and alleys of  Venice since the 12th century. The metal frameworks  were forged using a life-sized maquette constructed  with waste materials from his studio and scrap wood, while the panels were made with streaked red glass, in  tribute to another ancient Venetian tradition. While the  original model was hastily put together, the molds are the  result of a meticulous process blending traditional and  contemporary production methods. 

Courtesy of the artist and Sterling Ruby Studio

-

Other artwork by the artist OPEN

Photos by Matteo Catania - Hubove Studio

Photos by Matteo Catania - Hubove Studio